Almost there….

 Hello Friends

The last few months have been filled with mostly weaving, a little less-than-usual piano-ing, and travel!

as I have mentioned to my friends who follow my instagram posts, I’ve been preparing for “Spreading Joy”, my upcoming retrospective art show at 2Create Gallery on Main Street in Ramona, which opens June 6 (a week from today!).

It has been a couple of years since I’ve exhibited any work, so I feel as though this is a coming out party for me.  I’m excited…also a little nervous…and mostly overjoyed.  

Since January I have completed five new weavings, two of which were featured in my previous post.

Here’s a peek at the other three: a small Sante Fe style rug, an abstract diptych tapestry I’ve entitled “Conversations”, and another tapestry inspired by a recent plein air landscape by Natasha Isenhour.

   

Hey!  What’s up? Those photos I added aren’t opening up!!!

Okay…..how about this:

Please join us next Friday for the opening,  from 5-7pm, or if the following Sunday suits you better, I’ll be in the gallery from 12-5.

Let’s share some joy!

Bound to Weave

 Well Hello There!  Long time no see!

I’ve been on the slow road to learning a new weave structure: bound weave.  New to me, that is.  Like so many other facets of weaving, this one’s been around for a long while.

Used mainly for rugs, saddle blankets, and other such items, it’s a thickly woven structure that really eats up the yarn while providing a super-strong durable textile.

I started out with a couple of small pieces, then recently jumped onto the Rio Grande loom out at Beryl Warnes’ Academy of Handweaving in Santa Ysabel.

Here’s one: stay tuned for more….and thanks for checking in!

Be well and happy — enjoy!

Steadily Weaving

 Greetings!

I’ve been pretty steadily weaving since November 2022, when Joel and I rented a studio in Santa Fe for the month.  

You know, weaving is not a full-time occupation for me. It feels more like a part of who I am, which emerges in one form or another as I walk through this life of mine.  It’s a part that brings me joy, while at the same time is an expression of my joy.  When I’m not physically doing it, it's still percolating inside me, waiting for the right time to manifest. 

These are what I call “sketches”. I was experimenting with various yarns and tapestry techniques, and learning new finishing options.  

Then we were in India in January, a time of slowing down, cleansing, deepening spiritual awareness, and slow weaving.

The colors of India, the plants, the conversations, all conspired to inspire me to weave. Plus the simple pleasures that comes from handling the materials. Loving the touch of wool, the soft sound of weft closing upon warp, the emerging composition that never fails to surprise and delight, however “imperfect”.

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Since then we have mostly been home, and I have been weaving at the nearby weaving center in Santa Ysabel, also known as Julian Weaving Works.  

Beryl Warnes has a plethora of looms on sight, and sometimes I like to work on one of her Rio Grande looms, as physically challenging as it is. Plus,  it’s fun to hang out with her and fellow weavers and fiber enthusiasts!

Here’s my latest rug, “Three Worlds”, shown from various angles. I’m not totally clear how or why that title came to me.  Could be warp + weft + web, or something more esoteric.  It’s hanging at 2Create gallery on Ramona.  

I heartily appreciate you taking the time to peruse my blog.  May you be inspired to always follow your joy wherever it takes you!

So that’s my latest sampling!  I trust you noticed that some of those photos were of landscapes rather than weavings.  My goal is that, someday, they may be indistinguishable when photographed.  

Renewed Inspiration

 There is nothing quite like a steady trickle of the sale of one’s artwork to spark renewed inspiration.  That, and a fresh perspective on one’s surroundings.

We planted a few western redbuds and a few sycamore trees on our hillside in the early days, now twenty years ago.  But it took until earlier this year for me to see their seed pods as the core of another botanical weaving. Hmmm….

“Redbuds and Sycamore” has emerged from that great unknown, from whence all creativity emerges.

great unknown whence all inspiration ultimately emerges.

A New Direction

 Since completion of the botanical weavings for Volcan Mountain just over a year ago, I have had the pleasure of a leisurely meandering to a place of renewed focus.

I rested. I took time for deepening my spiritual practice. I hiked deeper into the back country than ever before. I simply sat on our hillside — not minding the time — to take in the bustling stillness of life that is the Chaparral.  I cleaned my studio top to bottom, including clearing out virtually all of the botanicals that I had gathered over the years.  I wove some.

We took a road trip in May, driving through Arizona to New Mexico, to meet up with family and a couple of friends.  The land took us in and nurtured us in the way she always has.  Being with family and friends nurtured us.

Upon our return, I finished weaving a small rug I had started months before.  I wove it as a kind of sampler, a rekindling of my desire to move into tapestry, playing with various types of wool and various gauges of yarns. 

Then another road trip in August/September.  A few days with cousins in Colorado, foraging for mushrooms, hiking, and taking in the local bluegrass talent.  Then two workshops at Tierra Wools in Chama, New Mexico.  

More tapestry rugs and naturally dyed yarns to follow!

Stay well, and do what makes you happy!

Looking East

 

Volcan Mountain Foundation recently acquired 23 acres on the eastern side of the mountain,  overlooking the San Felipe Valley.

Joel and I headed out there earlier this month, for my final day of gathering botanical materials to weave in honor of the mountain, and the Foundation’s effort to preserve and protect — along with a number of other public and private agencies — as much land as possible on that 15-mile long range.

“Looking East” is a woven bouquet of chaparral plants that I have been familiar with for years, plus some I’ve not encountered until that day.  Bush mallow and rabbit bush, penstemon spectabilis and oh....I don’t know all your names, but I love you anyway!

I would like to close my blogs about my precious time on Volcan Mountain, courtesy of the Volcan Mountain Foundation, with a big “THANK YOU” to Board President Eric Jones and Executive Director Colleen Bradley.  Your kind and enthusiastic support in finding my way about the mountain, and readiness to answer my queries made my time working on this project that much more delightful. 

Headwaters

 One of the most notable facts about Volcan Mountain, is that it is home to the headwaters of both the San Diego River and the San Dieguito River.  Two distinct springs emerge from a western slope to form the source of each of those rivers.  

These two springs are within easy walking distance from each other, and one morning I took the time to gaze upon each of them and their surroundings in turn, mesmerized by the sublime sight and sound of water emerging from the earth. Mmmmmm....

I chose three prominent plants from those springs for this botanical weaving: cat-tail (T.latifolia), western bracken (pteridium aquilinum var. pubescens) and crimson columbine (aquilegia formosa). Their unique forms came together quite surprisingly for me as I was weaving this piece, so distinct are their qualities of form and texture.  

Here are photos of the springs, and photos of the weaving (17”x27”) in which I attempted to depict the movement of the water as well as to display the delicacy, toughness, and wonder of the plants.

Once again, thank you Volcan Mountain Foundation, for giving me this opportunity to explore the mountain as well as my craft.